A notoriously reclusive artist, Sergio Larrain (1931-2012) has nonetheless become a touchstone for those who have come to know and love his work, including authors Roberto Bolaño and Julio Cortázar. Celebrated by Henri Cartier-Bresson, his contemporary and a co-founder of Magnum, Larrain's experimental process yielded images that transformed the fixed nature of the medium. His ...(展开全部)

A notoriously reclusive artist, Sergio Larrain (1931-2012) has nonetheless become a touchstone for those who have come to know and love his work, including authors Roberto Bolaño and Julio Cortázar. Celebrated by Henri Cartier-Bresson, his contemporary and a co-founder of Magnum, Larrain's experimental process yielded images that transformed the fixed nature of the medium. His ...(展开全部)

"Pasolini seems to me indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War.... His poetry is an important part of his passionate, proud, historically vulnerable body of work, a work in and with history; and of the tragic itinerary of his sensibility."--Susan Sontag

Sergio Larrain (1931-2012) crossed the photographic universe like a meteorite. After much travelling, his concern for purity and his attraction to meditation led him to withdraw to the Chilean countryside and live self- sufficiently. From there he began to write concerned as he was about the need to encourage the world to wake up to its possible fate while continuing in his dee...(展开全部)

诺埃尔•森索洛（Noël Simsolo），法国影评人、电影学者，黑色电影研究专家，同时也是编剧、导演、小说家和演员，曾为《电影手册》等杂志撰写文章，著有《法国电影中的女人》（Femmes du cinéma français, 1989）、《被诅咒的人》（M le Maudit, 1990）、《伊斯特伍德：好莱坞过客》（Clint Eastwood: Un passeur à Hollywood, 2003）、《黑色电影》（Le Film Noir, 2005）等。 李洋，法国戴高乐大学电影学博士，现为东北师范大学文学院副教授、影视艺术研究中心主任。2003年起在《看电影》和《南方都市报》等媒体开设个人专栏，多次采访戛纳、威尼斯等大型国际电影节。此外还在《电影艺术》《当代电影》《作家》《文景》《书城》《环球银幕》《影响》等杂志发表文章、访谈和影评三...(展开全部)

In the winter of 1958, Sergio Larrain (1931–2012) travelled to London. He spent just a few months there, but captured an extraordinarily powerful vision of the city. Larrain's London is a fast-moving blur of activity. His photographs reveal the signs of the emergence of a new, post-war London society: the class divisions, the burgeoning fashions of its youth, and the everyday l...(展开全部)

The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator. Naomi Greene reveals to English-speaking readers the diverse talents that made him one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time. Greene presents Pasolini's...(展开全部)

The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator. Naomi Greene reveals to English-speaking readers the diverse talents that made him one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time. Greene presents Pasolini's...(展开全部)